États-Unis : histoire
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Social Problems
Lecture * Society
A course of three
lectures
by Miss Voltairine De Cleyre (of Philadelphia, USA) will be given as follow.- -
Friday, July 16th 1897 at 8 p.m.
Christ Church Hall, Hanbury street, Spitalfields, E.
“The history of anarchism in America”Saturday, July 17th 1897 at 3.30 p.m.
Christ Church Hall, Hanbury street, Spitalfields, E.
“The woman question”Sunday, July 18th 1897 at 4 p.m.
Athenaeum Hall, 73, Tottenham Court road, W.
“The philosophy of anarchism”Admission to each lecture 3d. — Tickets for the course 6d.
Vocal & instrumental music & recitations.
Printend by George Stevens & Co, Limited, 19 & 25a, Commercial road, E.
IISG
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[ image (Sacco et Vanzetti au milieu d’une foule de gens, avec drapeaux rouges, au port de New York saluant avec la main, une chaise électrique est brisée et renversée [avec ses bourreaux ?]) texte bilingue (italien, français) ]
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Voglio un tetto per ogni famiglia, il pane per ogni bocca, l’educazione per ogni cuore, la luce per ogni intelligenza. Vanzetti
Je veux un toit pour chaque famille, du pain pour chaque bouche, de l’éducation pour chaque cœur, de la lumière pour chaque intelligence. Vanzetti
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text
map (“Kronstadt and Vicinity”)
photos (“Ex-Stalin Square in Budapest, October 23rd, 1956” ; “Armed Strikers, Southern Colorado coal fields, 1914 (To be continued in Cleveland, 1970.)”)
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Theses on the Commune
I
“The traditional revolutionary workers’ movement must be re-examined without any illusions ans, first and foremost, without any illusions as to its various political ans pseudo-theoretical heirs, for all they have inherited is its failure. What seem to be the achievements of this movement (reformism or the installation of a state bureaucracy) are its fundamental failures, while what seem to be its failure (the Commune of the Asturias revolt of 1934) are its greatest achievements, for us and for the future.” (Internationale Situationniste No. 7)
II
The Commune was the biggest festival of the nineteenth century. Underlying the events of that spring of 1871 one can see the insurgents’ feeling that they had become the masters of their own history, not the level of the politics of “government”, but on the level of their everyday life. (Consider, for example, the games everybody played with their weapons : they were in fact playing with Power.) It is also in this sense that Marx should be understood when he says that “the most important social measure of the Commune was its own existence in acts.”
III
The remark by Engels and Marx : “Take a look at the Paris Commune. It that was the dictatorship of the proletariat,” should be taken seriously, in order to reveal what the dictatorship of the proletariat as a political regime is not (the various forms of dictatorship over the proletariat in the name of the proletariat).
IV
It is not difficult to make perfectly justified criticisms of the incoherence and obvious lack of the machine in the Commune. As the problem of political machinery seems far more complex to us today than the would-be heirs of the bolshevik-type machinery claim it to be, it is high time we examine the Commune not just as superseded example of revolutionary primitivism, all mistakes of which have long been overcome, but as a positive experiment whose whole truth has never been either rediscovered or accomplished ti this day.
V
The Commune had no leaders. And this at a time when the idea of the necessity of leaders held undisputed sway over the proletarian movement. This is the first reason for its paradoxical successes and failures. The official organizers of the Commune were incompetent (if measured up against Marx, Lenin or even Blanqui). But on the other hand, the various “irresponsible” acts of that moment are precisely what should be claimed for the continuation of the revolutionary movement of our own time. This is so, even if the circumstances forced almost all of those acts to remain destructive (The most famous example being the rebel who, when a suspected bourgeois insisted that he had never had anything to do with politics, replied, “That’s precisely why I’m going to kill you.”)
VI
The vital importance of the general arming of the people was manifest practically and symbolically, from the beginning to the end of the movement. By and large the right to impose popular will by force was not surrendered and left to any specialized detachments. This exemplary value of this autonomy of armed groups had its counterpart in their lack of co-ordination : at no point of the struggle against Versailles, on the offensive or defensive, did the forces of the people attain real military effectiveness. It should, however, be born in mind that the Spanish revolution was lost — as, in the last analysis, was the civil war itself — in the name of a similar transformation into a “republican army.” The contradiction between autonomy and co-ordination would seem to be the point reached by the technology of the period.
VII
The Commune represents the only implementation of a revolutionary urbanism to date — attacking on the spot, the petrified signs of the dominant organization of life, understanding social space in political terms, when they refused, for example, to accept the innocence of any monument. Anyone who reduces this to some “lumpen-proletarian nihilism,” some “irresponsibility of the petrol-bombers”, should be forced to state what, on the contrary, he believes to be of positive value in contemporary society and worth preserving (it will turn out to be almost everything…). “The entire space is already occupied by the enemy…. Authentic urbanism will appear when the absence of this occupation is created in certain zones. What we call construction starts there. It can be clarified by the positive hole coined by modern physics” (Unitary Urbanism, out of I.S. 6).
VIII
The Paris Commune succumbed less to the force of arms than to the force of habit. The most scandalous practical example was the refusal to use artillery to seize the French National Bank when money was in such desperate need. Throughout the whole of the Commune, the Bank remained an enclave og Versailles in Paris, defended by nothing more than a few rifles and the myth of property and theft. The other ideological habits proved in every respect equally disastrous (the resurrection of Jacobinism, the defeatist strategy of barricades in memory of ‘48 ans so on).
IX
The Commune shows how those who defend the old world always benefit, at one point or another, from the complicity of revolutionaries : and, above all, from those who think out the revolution. This occurs at the point where the revolutionaries think like those guardians of the old world. In this way, the old world retains some bases (ideology, language, habits) in the deployment of its enemies, and uses them to reconquer the terrain it lost. (Only the thought-in-acts natural to the revolutionary proletariat escapes it irrevocably : the Tax Bureau went up in flames.) The real “fifth column” exists, in fact, in the very minds of revolutionaries.
X
The story of the arsonists who, during the last days of the Commune went to destroy Notre-Dame, only to find themselves confronted by an armed battalion of Commune artists, is a rich in meaning : it is a fine example of direct democracy. It shows further the kind of problems still raised in the perspective of the power of the workers’ councils. Were these artists as such right to defend a cathedral in the name of eternal aesthetic values — and in the last analysis, in the name of museum culture — while at the same time other men wanted nothing but to express themselves, for the first time there and then ; to make this destruction symbolize their absolute defiance in the face of a society which, in its moment of triumph, was about to consign their lives to silence and oblivion ? The artist partisans of the Commune, acting as specialists, already found themselves in conflict with an “extremist” form of struggle against alienation. The Communards must be criticized for not having dared to answer the totalitarian terror of power with the total power of weapons. Everything indicates that those poets who, at that moment, actually expressed the Commune’s inherent poetry were simply wiped out. The abortive nature of the Commune as a whole let its tentative actions be turned into “atrocities” and made it easy to censor the memory of its real intentions. Saint Just’s remark, “those who make but half a revolution dig naught but their own graves,” helps also explains his own silence.
XI
Theoreticians who, like the traditional novelists, try to the the history of this movement from a divine omniscient standpoint can very easily prove, in purely objective terms, the Commune was condemned to failure and that it could never have been superseded. They forget that for those who really lived it, the supersession was there already.
XII
The audacity and imagination of the Commune can only be measured in terms of the prevailing political, intellectual and moral attitudes of its own time in terms of the cohesion of all the prevailing platitudes it blasted to pieces. In the same way, the inventiveness we can expect of a comparable explosion today can only be measured in terms of the cohesion of the prevailing platitudes from the right of the left, of our own time.
XIII
The social war, of which the Commune was one moment, is still being fought today (though its superficial conditions have changed considerably). As to the task of “making the unconscious tendencies of the Commune conscious” (Engels), the last word is still to be said.
XIV
For almost twenty years in France, the Christians of the left and the Stalinists, in memory of their anti-German front, have agreed to emphasize the aspect of national disarray and offended patriotism appearing in the Commune, to explain that “the French people petitioned to be better governed” (in agreement with contemporary Stalinist “politics”) and were brought to despair by the default of the country-less right wing of the bourgeoisie. In order to regurgitate this holy water it would suffice to study the role played by foreigners who came to fight for the Commune. The Commune, in fact, was above all the inevitable battle, climax of twenty-three years of struggle in Europe by “our party” as Marx said.
18 March 1962
Debord, Kotányi and VaneigemThis text was first issued by Internationale situationniste
BP 307-03 ParisSituationist international
Cooper Station
P.O. Box 491
New York
N.Y. 10003- notice : Image (fixe ; à 2 dimensions)
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[ texte ; dessin (portrait de Joshua Norton qui se proclama « Emperor of the United States and Protector of Mexico » en 1859) ]
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Emperor Norton
Joshua Norton, or as he preferred to be called, Norton I, proclaimed himself Emperor of the United States and Protector of Mexico in 1859.
Although a pauper, he was fed free in San Francisco’s best restaurants.
Although a madman, he had all his state proclamations published in San Francisco’s newspapers.
While rational reformers elsewhere failed to crack the national bank monopoly with alternate currency plans, Norton I had his own private currency accepted throughout San Francisco.When the Vigilantes decided to have a pogrom against the Chinese, and sane men would have tried to stop them, Norton I did nothing but stand in the street, head bowed, praying. The Vigilantes dispersed.
’When the proper man does nothing (wu-wei), his thought is felt ten thousand miles."
—Lao TseAlthough a fool, Norton I wrote letters which were seriously considered by Abraham Lincoln and Queen Victoria.
"You must take the bull by the tail and look the facts in the face."
—W.C. FieldsAlthough a charlatan, Norton I was so beloved that 30,000 people turned out for his funeral in 1880.
"Everybody understands Mickey Mouse. Few understand Hermann Hesse. Hardly anybody understands Einstein. And nobody understands Emperor Norton."
—Malaclypse the Younger, K.S.C.Live like him
Discordian Society [logo : pentacle & apple in Yin & Yang] A bridge between Pisces and Aquarius
Endorsed by the Illuminati
A Green and Pleasant Poster
[logo] [??]
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text
photos
calendar 1978
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Anarchist Calendar 1978
Photos at top (left to right) : Veterans of Kronstadt sailors revolt, March, 1921 ; Student/worker insurrectio in France, May-June, 1968 ; Spanish anarchist militia dances, 1936 ; Wobbly women silk strikers march in support of Patterson, New Jersy, strike, July, 1913 ; Bank of America after being torched during Isla Vista demonstration, Feb., 1970.
Poster #5
OpenRoad
Newsjournal available on request :
Box 6135, Station G
Vancouver, BC, Canadahttp://www.zisman.ca/openroad/1977-78%20Winter/pages/P11-12%20Poster.pdf
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Affiche double
[ texte (français et espagnol/allemand) ; photo doublée (Sacco et Vanzetti, debout) ]
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La jeunesse du futur reconnaîtra nos idées, Sacco et Vanzetti = La juventud del futuro recogerá nuestras ideas Sacco und Vanzetti
[… impr. ?]
Affiche, du « groupe libertaire de Bordeaux » de la Fédération anarchiste, annoncée dans Le Monde libertaire n° 246 (8 décembre 1977).
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[ texte noir sur rouge ; fond : photos anthropométriques de Sacco et de Vanzetti ]
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Sacco Vanzetti
Fifty years ago, on August 23, 1927, after a long bitter battle of seven years and despite the protests of people throughout the world, the state of Massachusetts executed the militant anarchists, Nicola Sacco and Bartolomeo Vanzetti at Charlestown Prison in Boston.
In tribute to the valiant and tenacious struggle of Nicola Sacco and Bartolomeo Vanzetti for their lives and for their ideals against the powers of the state, a series of readings based on the words of the two men will be presented on August 22-23, 1977 in streets and squares throughout the city of Boston.
Groups in other cities and in other countries are welcomed to join a tribute on August 22-23, 1977 to Nicola Sacco and Bartolomeo Vanzetti, fallen but not forgotten.
Eviva l’anarchia
The Black Rose, Boston, 1977
For Further Information - Contact : A. McCormack
261 Street, Cambridge, Mass. 02139
Telephone (617) 492-84441927-1977 Sacco-Vanzetti
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[ texte (en défonce) ; citation d’Andrew Furuseth ; dessin (marins, outils, documents du Sailor Union of the Pacific) ; logo (Brotherhood of the sea SUP) ]
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[logo] Brotherhood of the sea SUP
100 years
Sailors Union of the Pacific
“You can put in jail, but you cannot give me narrower quarters than as a seaman I have always had. You cannot give me coarser food than I have always eaten. You cannot make me lonelier than I have always been.”
Andrew FurusethMaguire Act, 1895
. . . abolished the desertion law (imprisonment for leaving a ship) in the coastwide trade and outlawed the crimp’s right to obtain an allotment from the CaptainWhite Act, 1898
. . abolished the desertion law for seamen in offshore ships in US ports. Also, abolished the beating of seamen by officers and mates, and gave seamen the right to draw up to half their wages in any landing or discharging port.Seamen’s Act, 1915
. . . extended complete freedom from the desertion law to US ships in foreign ports and to foreign vessels in American ports. Also, provided increased foc’sle space, better food, safety provisions, efficiency rating for able-bodied seamen, and that 65% of the crew must be able seamen.“Steady as the goes”
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[ texte avec photo de Sacco et Vanzetti et reproduction de la couverture du livre de Ronald Creagh ]
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Débat autour du livre
Sacco et Vanzetti
avec l’auteur Ronald Creagh
Éditions La Découverte
Lieu et date « CIRA Marseille, samedi 19 janvier 85 » ajoutés à la main par René Bianco sur un exemplaire du CIRA Lausanne. Des ex. sans ajout manuscrit (tirage de l’éditeur commercial pour une tournée de conférences ?).
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[ texte annonçant le débat ]
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Conférence-débat
Histoire de l’anarchisme* aux États-Unis d’Amérique
par Ronald Creagh
asbl Alliance libertaire
32-34, rue de Pologne, 1060 Bruxelles (barrière de Saint-Gilles)
téléphone 02/5378818
trams 55, 81, 90, 19, 18, 92 et bus 84, 54Samedi 8·3
20 h
PAF 50 FFoyer-bar La Tatchanka★
34, rue de Pologneasbl Alliance libertaire
537 88 19
accès réservé aux membresaff. cult. [ = affichage culturel] e.r. [= éditeur responsable] M. Bakounine même adresse
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photo (portrait d’un amérindien du 19e siècle (?), peut-être Tatanka Totanka)
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« Vous me croyez dupe, mais vous l’êtes bien plus encore que moi. »
Paroles de Tatanka Totanka au gl Terry venu le chercher au Canada et lui demandant de vivre dans une réserve américaine (1878)
Nitassinan
Ce poster a été imprimé le 12 octobre 1987 à l’occasion des “3 ans” de la revue trimestrielle Nitassinan (Abnt : 100 F à CSIA - BP 101 - 75623 Paris cedex 13)
Imprimerie Edit 71 - 22, rue d’Annam - 75020 Paris - ✆ (1) 46.36.89.09
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[ text ; drawn (black rose) ]
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Anarchist conference & Festival, July 20-25 1989, San Francisco
The 1989 Anarchist Conference/Festival will be the fourth annual gathering of political, cultural and community activists and others from across North America and around the world who share an anti-authoritarian spirit. We gather to share experiences and ideas, celebrate alternative culture, strengthen our work for radical change and social revolution, build community and have fun. The five days will include discussions, workshops, skills-sharing, performances, cultural events, networking, celebration, and much,much more. Interested ? Call :
Without Borders (415)864.4674Anarchy : A self-governed society in which people organize themselves from the bottom up on an egalitarian basis ; decisions made by those affected by them ; direct democratic control of our workplaces, schools, neighborhoods, towns and bio-regions with coordination between differing groups as needed. A world where women and men are free and equal and all of as have power over our own lives, bodies and sexuality ; where we cherish and live in balance with the earth and value diversity of cultures, races and sexual orientations, where we work and live together cooperatively.
Labor donated, means of production borrowed without permission
IISG.
11 × 17 inch.
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[ Reproduction du tableau de Costantini « Chicago - 3 mai 1886 » ; texte (invitation à une conférence-débat) ]
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L’Archivio 68
organizza presso
L’SMS di Rifredi
[…]Convegno-dibattito
A vent’anni dalla strage di Piazza Fontana
Programma
[…]
Mostra fotografica e video
[…]
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[ texte ; photos, dessins ; logo (chat noir) ]
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Les Mardis de l’anarchie
Conférences - Débats/discussions - Films - Ateliers
octobre
6 octobre, 19 h 15
Crève la démocratie !, ou la critique de l’autonomie politique…
On parle beaucoup de la démocratie comme d’un idéal sociétaire. parfois, on pourrait croire que par elle tous les problèmes sociaux peuvent se résoudre. Mais qu’en est-il dans les faits ? Théoriquement, la prise de décision du peuple par le peuple est un noble objectif, mais le fait de créer une sphère décisionnelle autonome dite « politique » n’est-elle pas à l’origine de la domination et de l’État ? Cette conférence se veut une exploration critique de la démocratie sous plusieurs facettes, à vous de juger si elle est pertinente.13 octobre, 19 h 15
Et la guerre est à peine commencée…
Court métrage de 18 minutes pour lancer une discussion sur le cynisme et le défaitisme général. Y a-t-il une issue à notre situation actuelle ? Si oui, par où commencer ? Quelles en sont les limites ? Seront des questions auxquelles nous tenterons de répondre en groupe.20 octobre, 19 15
Power to the people!, les Black Panthers à l’écran
Présentation, en version originale anglaise de trois courts films réalisés à l’époque par le collectif militant NewsReel sur le Black Panther party (en anglais) précédé d’une introduction historique à ce mouvement révolutionnaire noir américain (en français).27 octobre, 19 h 15
Présentations de livres
Quelques personnes viendront nous présenter une lecture ou un auteur en lien de près ou de loin avec l’anarchisme.Par la création de cet espace commun hebdomadaire, nous recherchons l’avancement et l’éclaircissement des idées libertaires dans le but de les rendre viables aujourd’hui comme demain. Nous visons aussi le développement du débat politique non sectaire comme habitude d’évolution et d’épanouissement individuel et collectif.
Au café-bar l’Agitée, 251 rue Dorchester
http://voixdefaits.blogspot.fr/2009/09/programmation-doctobre-des-mardi-de.html
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[ texte ; dessin (allégorie « The Anarchists of Chicago ») de William Crane ; logos ]
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[logos] Centro de cultura social e Biblioteca Terra Livre convidam
03-12-201, sábado, as 16h***
História do movimento anarquistas nos Estados Unidos
com Ronald Creagh
militante anarquista, pesquisador, doutor em letras e ciências humanas e professor emérito da Universidade Paul-Valéry***
Centro de Cultura Social
Rua General Jardim, 253 - Sala 22
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- Symbole(s) utilisé(s) : A cerclé (A encerclé) Ⓐ — étoile (noire …) ★ — faucille et marteau ☭ — squelette humain / crâne — tête de mort ☠
[ texte ; dessin (femme avec faucille, marteau et livre) ]
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Pre-Book Fair Radical History Zone event :
Saturday 13th April, 2013 Starts 3pm
Author Eveline Lubbers shines a light on corporate and police spying on activists — the topic of her new book, Secret manoeuvres in the dark
Radical History Zone
part of the anarchist bookfair
Saturday 20th april starts 10 noon
Roger Ball (Bristol Radical History Group) — British armed forcec’ strikes and mutinies i, 1918-19
Elaine Titcombe (UWE) — Three minutes to midnight : the women’s anti-nuclear protest at Greenham Common
Di Karkin (Bristol Radical History Group) — Running down Whitehall with a black flag : memories of anarchism in the 1960s
Omasisu Gorgut (Past Tense) — Poor Man’s Heaven : the Land of Cokaygne and other utopian visions
Roger Ball (Bristol Radical History Group) — Hillbilly Nationalists, Urban Race Rebels, and Black Power : ace, Class and Gender in the 60s US
Pilar Lopez — „Libres“ : songs of the Spanish Revolution
http://www.hydrabooks.org/
http://www.bristolanarchistbookfair.org/
http://www.brh.org.uk/All events at Hydra books - 34 Old Market, Bristol, BS20EZ
[logo] Bristol Radical History Zone
www.brh.org.uk - brh@brg.org.ukhttp://www.bristolanarchistbookfair.org/
http://www.bristolanarchistbookfair.org/2013-bookfair/
http://www.bristolanarchistbookfair.org/wp-content/uploads/2013/01/RHZ-poster_2013med.jpg
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[ texte ; dessin (main “trabalhadores” qui s’abat sur un policier “Estado de Massachusetts” menant Sacco et Vanzetti à la chaise électrique) ; por Gabriela Brancaglion ]
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VII Feira anarquista de São Paulo
Organização
[sigle] Biblioteca Terra LivreTendal da Lapa
Rua Constança, 7213/nov
10h-20hhttps://feiranarquistasp.wordpress.com/gabriela-brancaglion2/
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[ texte ; photo des années 60 (militant·e·s noir·e·s américain·e·s, index levé, près d’un parcmètre : Black Panthers ?) ]
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Ce n’est qu’un debout… Continuons le combat !
36 mars — Nuit debout
Série d’affiche du « 36 mars », mouvement contre la « loi Travail » :
https://mars-infos.org/affiches-ce-n-est-qu-un-debout-912 (Marseille infos autonomes : site collaboratif d’infos et de luttes à Marseille)- notice : Image (fixe ; à 2 dimensions)
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[ texte (blanc au noir) ; photo (les athlètes noirs américains Tommie Smith et John Carlos, poing ganté levé lors de la remise des médailles aux Jeux Olympiques de 1968, et l’Australien Peter Norman) de John Dominis ]
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Ce n’est qu’un debout… Continuons le combat !
36 mars — Nuit debout
Série d’affiche du « 36 mars », mouvement contre la « loi Travail » :
https://mars-infos.org/affiches-ce-n-est-qu-un-debout-912 (Marseille infos autonomes : site collaboratif d’infos et de luttes à Marseille)Pour l’histoire de la photo :
http://tempsreel.nouvelobs.com/monde/20150805.OBS3729/jo-de-1968-deux-poings-leves-et-un-troisieme-homme-acteur-lui-aussi.html- notice : Image (fixe ; à 2 dimensions)
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[ texte ; photo promotionnelle pour le Rockfeller Center (« Lunch Atop a Skyscraper », ouvriers déjeunant sur une poutre du gratte-ciel, le 69e étage du Rockfeller Center à New York en 1932) parfois attribuée à Charles Clyde Ebbetts ou Lewis Lyne ]
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Howard Zinn, une histoire populaire américaine
un film de Olivier Azam & Daniel Mermet
suivi d’une rencontre avec des militants
Industrial Workers of the WorldVendredi 21 octobre 2016 — 19 h — Prix libre
cinéma L’Univers, 16 rue Geroges-Danton, 59000 Lille
[logo IWWW] IWW — “Tant que les lapins n’auront pas d’historiens, l’histoire sera racontée par les chasseurs” — [Logo chat cerclé CNT] CNT
http://www.cnt-f.org/59-62/2016/09/projection-film-howard-zinn-une-histoire-populaire-americaine-21-oct-lille-et-rencontre-avec-membres-iww/
http://www.cnt-f.org/59-62/wp-content/uploads/affiche-Howard-Zinn-une-histoire-populaire-americaine-Lille-21oct2016-reduc.jpg- notice : Image (fixe ; à 2 dimensions)
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[ texte ; photo (portrait de Luigi Galleani) ; dessins d’après Cronaca sovversiva ]
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Cronaca sovversiva
Venerdì 22 aprile
Luigi Galleani (1861-1931) è stato, insieme a Errico Malatesta, militante più influente nel movimento anarchico di lingua italiana. Attivo nei conflitti di classe degli ultimi due decenni dell’Ottocento, nel 1900 approda negli Stati Uniti, dove per circa vent’anni redige il giornale “Cronaca Sovversiva”. Definito come "l’anarchico più pericoloso d’America", nel 1919 viene deportato in Italia, dove partecipa al Biennio rosso. II regime fascista lo costringe poi al carcere e al confino. Contrario a ogni organizzazione politica verticistica e burocratica, e fautore di un anarchismo naturalmente ribelle e battagliero, perennemente in rotta con lo sfruttamento capitalista e l’ordine gerarchico.
Friday, the 22nd of April, 2016 at 9 P.M.
Modo infoshop,
Mascarella Street 24B, Bologna“L’anarchico più pericoloso d’America”. Una storia di Luigi Galleani
“Luigi Galleani : the most dangerous anarchist in America”
Con Sean Sayers, professore di filosofia presso) I Universita di Kent (UK), nipote di Galleani e Tony Senta che introduce e traduce / A speaking with Sean Sayers, Emeritus Professor of Philosophy at the University of Kent (UK), and grandson of Galleani. Introduced and translated by Toni Senta.
H21
Luigi Galleani (1861-1931), together with Errico Malatesta, was the most influential figure in the Italian anarchist movement. He was active in the class conflicts of the last two decades of the nineteenth century, he arrived in the US in 1900 where, for almost twenty years, he produced the journal "Cronaca Sovversiva" (Subversive Chronicle). Branded "the most dangerous anarchist in America", he was deported to Italy in 1919, where he participated in the "Two Red Years". The fascist regime then put him in prison and sent him into internal exile. He opposed all forms of hierarchical and bureaucratic organization and championed a militant and revolutionary form of anarchism, permanently in conflict with capitalist exploitation and ruling structures.
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[ texte ; dessins (billet d’un dollar détourné en « digger dollar ») ]
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Resto Trottoir —collectif Food not bombs, Besançon
blog : restotrottoir.blogspot.comMardi 27 septembre
19 h à la librairie L’Autodidacte 5, rue MarulazDans le cadre de la rentrée libertaire
le Resto Trottoir propose la projection du film :« Les Diggers de San Francisco »
La projection sera suivie d’une discussion.
Les Diggers de San Francisco — Californie (1965-1968)
«Everything is free, do your own thing»« Automne 1966, c’est avec ce mot d’ordre que les Diggers, un petit groupe de jeunes révoltés issus du théâtre, cherchent à radicaliser les enfants fleurs en train de converger vers San Francisco.
Référence faite aux paysans anglais du XVIIe siècle menés par Gerrard Winstanley qui s’étaient appropriés des terres seigneuriales pour les cultiver en commun, les Diggers de San Francisco s’emparent du quartier de Haight Ashbury et y cultivent les graines d’une utopie en acte.Partisans du “théâtre guérilla”, ils mettent en scène leur rêve d’une vie Libre et Gratuite, distribuent des repas, ouvrent des magasins gratuits, organisent de gigantesques fêtes…, et réclament la rue comme théâtre de leurs actions politiques critiques, subversives et festives. Entés dans la légende de la contre-culture avec le flamboyant roman autobiographique d’Emmett Grogan, Ringolevio.
Les Diggers ont traversé les années 1960 comme un de ces “orgasmes de l’histoire” qui jaillissent ça et là, aussi intense que court, et pour lequel il est autant question de révolution que de plaisir… »
Affiche ou tract ?
https://restotrottoir.blogspot.com/2016/09/les-diggers-de-san-francisco-californie.html- notice : Image (fixe ; à 2 dimensions)
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[ texte ; dessin (Sacco & Vanzetti assis côte à côte ; tâche de sang) ; por Felipe Gomes ]
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VIII Feira anarquista de São Paulo
[sigle] Biblioteca Terra Livre
05 de novembro de 2017 — 10h-20h - Tendal da Lapa — Rua Constança, 72 — Lapa — São Paulo/SP
Sacco & Vanzetti die in chair this mornig !
Charlestown, August 23, 1927.
https://feiranarquistasp.wordpress.com/cartazes/felipe-gomes/
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[ texte ; montage dessin et photo (affiche guerre d’Espagne des « Mujeres libres », manifestation début 20e, Sacco et Vanzetti derrière les barreaux) ; por Ricardo Pereira ]
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201 — 193 — 192 — 191
VIII Feira anarquista de São Paulo
Organização :
[sigle] Biblioteca Terra Livre5 de novembro / 10h-20h
Tendal da Lapa
R. Constança, 72
Lapa, São Paulo/SPhttps://feiranarquistasp.wordpress.com/cartazes/ricardo-pereira/
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[ texte ; photos (Sacco, Vanzetti) ; por Daniel Moura ]
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Em memória de Nicola Sacco et Bartolomeo Vanzetti assassinados pelo Estado Norte-Americano em 1927
VIII Feira anarquista de São Paulo 5 de novembro de 2017
10h-20h Tendal da Lapa Rua Constança, 72
Organização : Biblioteca Terra Livrehttps://feiranarquistasp.wordpress.com/cartazes/daniel-moura-3/
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[ texte (manuscrit) ]
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Centre culturel neuchâtelois, jeudi 4 mai à 20 h 30
Lucien Tronchet
ancien membre du Comité de défense Sacco-Vanzetti, parle de « l’anarchisme » de Sacco et Vanzetti — débat
entrée libre
[A course of three lectures by Miss Voltairine De Cleyre]
[A course of three lectures by Miss Voltairine De Cleyre]. — London Londres : [s.n.], . — 1 affiche (impr. photoméc.), coul. (deux : rouge , noir , papier blanc ) ; 77 × 51 cm.
sources :
[Voglio un tetto per ogni famiglia, il pane per ogni bocca, l’educazione per ogni cuore, la luce per ogni intelligenza]
[Voglio un tetto per ogni famiglia, il pane per ogni bocca, l’educazione per ogni cuore, la luce per ogni intelligenza]. — [S.l.] : [s.n.], [ ?]. — 1 affiche (lithogr. ), coul. (quatre ou plus ) ; 48 × 62 cm.
sources :
[ 1927 ?] |
1927 |
[Theses on the Commune]
[Theses on the Commune]. — New York : Situationist International, [ ?]. — 1 affiche (impr. photoméc.), coul. (deux : rouge , noir , papier blanc ) ; 49 × 13 cm.
sources :
[Emperor Norton. Live like him]
[Emperor Norton. Live like him]. — San Francisco : [s.n.], . — 1 affiche (impr. photoméc.), coul. (une : noir , papier de couleur ) ; 43 × 28 cm.
sources :
[Anarchist Calendar 1978]
[Anarchist Calendar 1978]. — Vancouver : Open Road (Canada), . — 1 affiche (impr. photoméc.), coul. (quatre ou plus ) ; 58 × 43 cm.
sources :
[La jeunesse du futur reconnaîtra nos idées, Sacco et Vanzetti = La juventud del futuro recogerá nuestras ideas Sacco und Vanzetti]
[La jeunesse du futur reconnaîtra nos idées, Sacco et Vanzetti = La juventud del futuro recogerá nuestras ideas Sacco und Vanzetti]. — Bordeaux : FA__ [2] (Fédération anarchiste : 1953-....) : FA__. Groupe anarchiste de Bordeaux, . — 1 affiche (impr. photoméc.) : n. et b. ; x × y cm.
sources :
[Sacco Vanzetti ; Fifty years ago...]
[Sacco Vanzetti ; Fifty years ago...]. — Boston (Mass., USA) ; Cambridge (Mass.) : the Black Rose, . — 1 affiche (impr. photoméc.), coul. (deux : rouge , noir ) ; 28 × 22 cm.
sources :
[100 years of Sailors Union of the Pacific]
[100 years of Sailors Union of the Pacific]. — San Francisco : Sailors’ Union of the Pacific (SUP), . — 1 affiche (impr. photoméc.), coul. (deux : noir , beige , texte en défonce , papier blanc ) ; 64 × 49 cm.
sources :
[Débat autour du livre Sacco et Vanzetti]
[Débat autour du livre Sacco et Vanzetti]. — Marseille : CIRA Marseille (Centre international de recherches sur l’anarchisme), . — 1 affiche (impr. photoméc.), coul. (deux : rouge , noir , papier blanc ) ; 44 × 64 cm.
sources :
2017 |
2011 |
2010 |
1977 |
[Histoire de l’anarchisme aux États-Unis d’Amérique : conférence débat par Ronald Creagh]
[Histoire de l’anarchisme aux États-Unis d’Amérique : conférence débat par Ronald Creagh]. — Bruxelles = Brussels Bruxelles : Alliance libertaire (Belgique), . — 1 affiche (impr. photoméc.), coul. (une : noir , papier rouge ) ; 42 × 30 cm.
sources :
[Vous me croyez dupe, mais vous l’êtes bien plus encore que moi]
[Vous me croyez dupe, mais vous l’êtes bien plus encore que moi]. — Paris : CSIA (Comité de solidarité avec les Indiens des Amériques-Nitassinan : 1978-....), (Edit 71 (Paris)). — 1 affiche (impr. photoméc.), coul. (deux : rouge , noir , papier blanc ) ; 63 × 45 cm.
sources :
[Anarchist conference & Festival, July 20-25 1989, San Francisco]
[Anarchist conference & Festival, July 20-25 1989, San Francisco]. — San Francisco : [s.n.], . — 1 affiche (impr. photoméc.), coul. (deux : rouge , noir , papier blanc ) ; 44 × 28 cm.
sources :
[Convegno-dibattito ; A vent’anni dalla strage di Piazza Fontana]
[Convegno-dibattito ; A vent’anni dalla strage di Piazza Fontana] / Flavio Costantini. — Firenze Florence : [s.n.], . — 1 affiche (impr. photoméc.), coul. (deux : rouge , noir , papier blanc ) ; 85 × 57 cm.
sources :
[Programmation d’octobre des mardis de l’anarchie]
[Programmation d’octobre des mardis de l’anarchie]. — Québec : AgitéE (L’), . — 1 affiche (impr. photoméc.), coul. (quadri ) ; x × y cm.
sources :
[História do movimento anarquistas nos Estados Unidos com Ronald Creagh]
[História do movimento anarquistas nos Estados Unidos com Ronald Creagh] / Walter Crane. — São Paulo : Centro de cultura social São Paulo (CCSSP) : Terra livre (biblioteca), . — 1 affiche (photocop. ) : n. et b. ; x × y cm.
sources :
[s.d.] |
[Bristol Anarchist Bookfair, 5th, 2013 : Radical History Zone]
[Bristol Anarchist Bookfair, 5th, 2013 : Radical History Zone]. — Bristol : BRHG (Bristol Radical History Group) : Bristol Anarchist Bookfair, . — 1 affiche (impr. photoméc.) : n. et b. ; x × y cm.
sources :
[7a Feira anarquista de São Paulo, 2016]
[7a Feira anarquista de São Paulo, 2016] / Gabriela Brancaglion. — São Paulo : Terra livre (biblioteca), . — 1 affiche (impr. photoméc.), coul. (deux : rouge , noir , papier blanc ) ; x × y cm.
sources :
[Ce n’est qu’un debout… Continuons le combat !]
[Ce n’est qu’un debout… Continuons le combat !]. — Paris : Séditions graphiques, . — 1 affiche (impr. photoméc.) : n. et b. ; x × y cm.
sources :
2016 |
2016 |
2016 |
2016 |
2016 |
2016 |
[Ce n’est qu’un debout… Continuons le combat !]
[Ce n’est qu’un debout… Continuons le combat !]. — Paris : Séditions graphiques, . — 1 affiche (impr. photoméc.) : n. et b. ; x × y cm.
sources :
|
2016 |
2016 |
2016 |
2016 |
2016 |
|
2016 |
[Howard Zinn, une histoire populaire américaine]
[Howard Zinn, une histoire populaire américaine]. — Lille : CNT_- 59/62 (CNT-Union régionale Nord Pas-de-Calais) : CNT_F (France) : IWW_ (Industrial workers of the World : 1905-....), . — 1 affiche (impr. photoméc.), coul. (deux : rouge , noir , texte en défonce , papier blanc ) ; x × y cm.
sources :
2002 |
2012 |
[L’anarchico più pericoloso d’America : una storia di Luigi Galleani]
[L’anarchico più pericoloso d’America : una storia di Luigi Galleani]. — Bologna Bologne : [s.n.], . — 1 affiche (impr. photoméc.), coul. (deux : rouge , noir , papier blanc ) ; 42 × 30 cm.
sources :
[Les Diggers de San Francisco]
[Les Diggers de San Francisco]. — Besançon : Autodidacte (librairie L’) : Food not bombs : Resto Trottoir (Besançon), . — 1 affiche (photocop. ) : n. et b. ; 42 × 30 cm.
sources :
[8a Feira anarquista de São Paulo, 2017]
[8a Feira anarquista de São Paulo, 2017] / Fernando Gomes. — São Paulo : Terra livre (biblioteca), . — 1 affiche (impr. photoméc.), coul. (deux : rouge , noir , papier blanc ) ; x × y cm.
sources :
|
1977 |
1985 |
2010 |
2011 |
[8a Feira anarquista de São Paulo, 2017]
[8a Feira anarquista de São Paulo, 2017] / Ricardo Peraira. — São Paulo : Terra livre (biblioteca), . — 1 affiche (impr. photoméc.), coul. (quadri ) ; x × y cm.
sources :
1936 |
[8a Feira anarquista de São Paulo, 2017]
[8a Feira anarquista de São Paulo, 2017] / Daniel Moura. — São Paulo : Terra livre (biblioteca), . — 1 affiche (impr. photoméc.), coul. (deux : noir , vert , texte en défonce , papier blanc ) ; x × y cm.
sources :
[Lucien Tronchet parle de l’anarchisme de Sacco et Vanzetti]
[Lucien Tronchet parle de l’anarchisme de Sacco et Vanzetti]. — Neuchâtel : [s.n.], . — 1 affiche (impr. photoméc.), coul. (une : noir , papier vert ) ; 54 × 39 cm.
sources :